Special Concert. Cage, Feldman, Kotík: A New Starting Point

Contemporary music series S
Main Hall of the Švanda Theatre in Smíchov

The Švanda Theatre in Smíchov is a stage of the capital city of Prague and is supported by the Municipality of Prague 5. The theatre can seat 300 visitors in its Main Performance Hall and between 44 and 100 visitors in the lower-basement variable Studio depending on the current need or stage/auditorium set-up.

Štefánikova 6/57, 150 00 Praha 5

Standard ticket: CZK 500 | Senior ticket (65+): CZK 400 | Student ticket: CZK 100

Members of the Prague Philharmonia and their guests

Ivo Kahánek — piano

Petr Kotík — conductor

Selected Program:

John Cage
Concert for Piano and Orchestra (1957–1958)

Morton Feldman
Four Instruments for piano, violin, viola and cello (1975)

John Cage
Cheap Imitation (flute version, dedicated to Petr Kotík)

One of the major works of the 20th century will follow:

either

John Cage
Atlas Eclipticalis (1961–1962)

or

Morton Feldman
For Samuel Beckett for 23 players (1987)

We will present two of the most prominent composers of the 20th-century in New York, two friends – John Cage (1912–1992) and Morton Feldman (1926–1987). Their music will be discussed by their friend Petr Kotík at an extra special concert. Kotík will lead an expert discussion about their works as a long-time collaborator of both composers, in particular of John Cage (continuous collaboration in the years 1964–1992).

On 18 December 1950, John Cage wrote in a letter to Pierre Boulez: “Feldman’s music is extremely beautiful now. It changes with each piece, I find him my closest friend now among the composers here.”

John Cage – a leading figure of the New York School of music, composer, admirer of visual and dance art, avid mycologist, creator of audiovisual art, whose leading musical principles include indeterminacy and chance.

Morton Feldman – created his own system of musical notation (including scores written on square paper). His compositions are characterized by a quiet dynamic range and extended duration. The compositions written toward the end of his life are extremely long, such as String Quartet II (1983), which lasts several hours without a break.

Patron
RSBC
General partner
Komerční banka
With support
Hl.město Praha
Ministerstvo kultury
Principal partner
Hyundai
General media partner
Česká televize
Partneři zvuku
Portu Gallery
Wood & Company
Partners
RENOMIA
Mozart Prague