Petr Kotík and Philip Glass: 50 Years in New York City
The Švanda Theatre in Smíchov is a stage of the capital city of Prague and is supported by the Municipality of Prague 5. The theatre can seat 300 visitors in its Main Performance Hall and between 44 and 100 visitors in the lower-basement variable Studio depending on the current need or stage/auditorium set-up.
The sale of subscriptions for this season has ended.
Season ticket 1900 CZK | 1400 CZK (seniors 65+)
Individual tickets 450 CZK | 350 CZK (seniors 65+) | 100 CZK (under 15)
Petr Kotík – flute
Irena Troupová – vocals
Elmaz Mrkvičková – vocals
Miroslav Beinhauer – piano
Kamil El-Ahmadieh – piano
Andrej Gál – cello
Eliška Bošková – flute
Daniel Havel – flute
Barbora Kolářová – violin (concertmaster of the Prague Philharmonia)
Kateřina Krejčová – violin
Michal Sedláček – viola
Balázs Adorján – cello
Ladislav Kozderka – trumpet
Štěpán Hon – percussion
Philip Glass (1937)
String Quartet No. 1 (1966, Czech premiere)
Piece in the Shape of a Square for two flutes (1967, Czech premiere)
Two Pages (1968)
Petr Kotík (1942)
Arianne, sonata for cello and piano (2001–2024, world premiere)
Suite from the opera Master-Pieces (2014–2018/2024, world premiere)
Special concert
These two composers have been active in the musical avant-garde in New York City since the 1970s, a common point where they create, compose, and organize concerts and major artistic projects.
What influenced them most in the early days of their musical involvement? Werethey fundamentally shaped by their family background? Petr Kotík, who has been a long term friend of Philip Glass, will guide you through an evening on the development of the musical avant-garde in New York City since the 1970s.
Our selection of compositions by Glass was consulted with his close associates – the pianist Michael Riesman (music director of the Philip Glass Ensemble and conductor of almost all of Glass’s compositions) and Richard Guérin (director of Orange Mountain Music, one of the record labels founded by Glass). Three pieces have been selected; two will be performed in their Czech premieres. The third piece, Two Pages from 1968, one of his most typical compositions from this period, will be presented by the internationally acclaimed pianist Miroslav Beinhauer, who has already performed this work several times.
The program will feature two compositions by Petr Kotík, both in their world premieres.
On the occasion of this concert, we will publish program notes featuring a unique conversation between the two composers about their student years, professional beginnings and inspirations, recorded in New York in 2014.
